
Each time a seam is pressed, it is worth paying attention to what is in the foreground and what is in the background - and press towards the foreground. This is obvious, say, in the leaf which points upwards; the seams where the leaf joins to the background were pressed under the leaf, thus it stands a little proud of the background. Similarly, the overlapping petals were pressed towards those on the outside. This helps to give the impression of three-dimensional form.
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